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Iznik was one of the biggest centers of Tile-Making in Ottoman period. It may be possible to find out oldest tiles in Iznik Green Mosque's Minaret that has been internal 1391. Tile-Making entered Iznik in early time period of 15th century and grew extremely fast in the city. Owing to this reason Iznik is termed Cinili(tile) Iznik. In 17th Century Evliya Celebi (One of the famous Turkish traveler) mentioned that in his notes, in nine districts of the city individuals are living with the bucks that they're earning from making tiles and pots, there will be more than 340 tile ovens within the city. In Ottoman period tiles which can be employed for inner architecture of buildings were in 9,5 in x 9,5 in proportions and 0,5-1 in thick. In tile-making Selcuklu (An old Turkish government) style were utilised with small modifications in Ottoman Period. Iznik cini and ceramic art gained importance mostly in 16th century. The reason with this event is related with increase on building construction in same century. In tiles which can be manufactured in first 50 % of 16th century the background was white, flowers and rumis (a collage which is composed by leaves) were in blue and yellow. After the second half of 16th century it really is significant to view a marked improvement on colors and the quality of tiles and tile-designs. Rose, dianthus, tulip, peony, hyacinth, pomegranate flower, plum flower and several other flower types had did start to be processed on tiles having a very detailed work following this period. Coral Red color which appears on tiles after 1557 gives more beauty on the tiles. This color can be seen as an embossed layer on tiles. Coral and Tomato Red disappear suddenly with 17th century. There is not an evident reason on that but that knows would be the expert on this color took the key of this color to his grave. Golden Way in Harem in Topkapi Sarayi, Suleymaniye Mosque's Niche, Rustem Pascha Mosque and Tomb and Sokullu Mehmet Pascha Mosque are some examples for usage of Iznik Tiles in 16th century. In this century tulip is easily the most used flower in tiles.
An 16th Century Iznik Tile
In the very first quarter of 17th century there is seen a standstill in Iznik Tile Art. Figures began to dissolve, colors began to mix the other person. Colar Red disappears that is employed for tulip and dianthus flowers in late period of 16th century. A colorless red comes as opposed to Coral Red. In tiles of the century background becomes white, greens turn into blues, turquoise blue becomes green. The trees and flowers are shown as they become adults from ground in 16th century tiles yet, in 17th century tiles these are shown while they are growing from pots. 17th century is not a good century for tile-making but there are a handful of specific building which may have wonderful tile arts. Sultan Ahmed Mosque, Revan and Baghdat Mansions and the Sunnet Room in Topkapi Sarayi might be given being an instance of these buildings. This decline in Iznik Tile Making may perhaps be related with the decline of Ottoman Empire. Owing towards the wars, inner and outer problems, society couldn't provide needed importance on art. It isn't feasible to determine the 16th centuries art activity in 17th century. Architecture began to decrease because of financial problems and for that reason tile-making comes near the stop. Tile Factories started to close one by one due to financial problems. It could be said that tile-making totally stopped in 1716. In III. Ahmed Library which has been internal 1719 the tiles were unraveled from Kara Mustafa Pascha Mansion in Istanbul. In 18th Century vizier of III. Ahmed, Nevsehirli Damat Ibrahim Pascha collected Tile Experts from Iznik and opened a new tile factory in Tekfur Palace in Istanbul. But they couldn't produce qualified tiles as stated in last centuries. In these tiles background is at dirty light blue, motifs have been in green-blue, colorless red and yellow and glazes are distorted. After a little time this factory stopped and Ottoman Empire begun to import tiles from Viennese and Italy.
When we look today, there are a couple of researches on Iznik Tiles in last years. In some archological diggings some ovens are simply in Iznik City. Biggest problem in these researches is financial problem. Another problem in tile producing in Iznik is, producers are certainly not while using exact way of Iznik tile-producing. They are while using the Kutahya City methods when producing tiles. It could be easier to solve these complaints also to keep alive real Iznik Tiles.

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