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| [[File:Tercera de picardía i iv i v I.png|thumb|400px|A progression of tertian chords in a minor (i-v-i-iv<math>{}^6_4</math>-i-v-I) ending on a [[Picardy third]] {{audio|Picardy third i iv i v I.mid|play}}]] | | Adrianne is what you is able to call me but My family and i don't like when people use my full full name. What [http://Pinterest.com/search/pins/?q=I+genuinely I genuinely] like doing is fish are suffering from acne and I'll be just starting something else along with it. Filing is generally my day job well but soon I'll exist on my own. [http://Www.Wikipedia.org/wiki/Vermont Vermont] needs always been my tough to adapt place and I will have everything that I need here. Go to the group website to find on the internet more: http://circuspartypanama.com<br><br>my blog post ... [http://circuspartypanama.com clash of clans hack no survey] |
| {{wiktionary}}
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| : ''"Tertial" redirects here. For the feathers in a bird's wing see [[tertial feather|tertials]]. For the disease formerly known as ''tertian fever'' see [[Malaria]].''
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| In [[music theory]], '''''tertian''''' (Latin: ''tertianus'', "of or concerning thirds") describes any [[piece (music)|piece]], [[chord (music)|chord]], [[counterpoint]] etc. constructed from the [[Interval (music)|interval]] of a ([[major third|major]] or [[minor third|minor]]) third.<ref>Benward & Saker (2009). ''Music in Theory and Practice'', Vol. II, p.370. ISBN 978-0-07-310188-0. "Tertian (third based) harmony".</ref> An interval such as that between the notes A and C encompasses 3 [[semitone]] intervals (A-B{{music|b}}-B{{music|natural}}-C) and is termed a [[Minor mode|minor]] third while one such as that between C and E encompasses 4 semitones (C-D{{music|b}}-D{{music|natural}}-E{{music|b}}-E{{music|natural}}) and is called a [[Major mode|major]] third ''(See [[Major and minor]])''.
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| [[Image:Quartal chord on A equals thirteenth chord on Bb.png|thumb|right|Quartal chord on A equals [[thirteenth|thirteenth chord]] on B{{music|b}}, distinguished by the [[arrangement]] of [[factor (chord)|chord factors]] {{audio|Quartal chord on A equals thirteenth chord on Bb.mid|Play}}.<ref>Benward & Saker (2009), p.279.</ref>]]
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| A common [[Triad (music)|triad]] chord can be regarded as consisting of a "stack" of two such intervals. A musical scale may also be analysed as a succession of thirds ''(See [[Ladder of thirds]])''. The [[meantone temperament]], a system of tuning that emphasises pure thirds, may be called "tertian".
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| Chords built from [[sixth]]s may also be referred to as tertian because an ascending sixth is equal to a descending third and vice versa: any sixth can be taken as the [[inversion (music)|inversion]] of a third. For instance the interval C-A is a major sixth that, when inverted, gives the interval A-C, which is a minor third.
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| Tertian concepts have been used innovatively in [[chord progression]]s, as for example in the "thirds cycle" used in John Coltrane' [[Coltrane changes]].
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| ==See also==
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| *[[Secundal]]
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| *[[Quartal and quintal harmony]]
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| *[[Polychord]]
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| ==Sources==
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| <references/>
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| [[Category:Chords]]
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Latest revision as of 11:17, 3 December 2014
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